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Larry Garner brings Boogaloo Blues Band to Regent

By Joanne Courneya-Fitzroy
In a decade when veterans and youngbloods alike rely too heavily on overdone standards and cover material, Larry Garner churns out clever, challenging, uncompromising and thoroughly contemporary blues songs.
The latest in Zapp Productions’ Blues Series, Garner and his band are coming to Picton’s Regent Theatre Friday, Oct. 14.
Larry Garner and The Boogaloo Blues Band won the 5th Annual International Blues Challenge back in 1988, and toured extensively since. Larry is a five-time Blues Music Award nominee, once for Most Promising Artist, and four times for Contemporary Male Blues Artist.
Garner was inducted into the Louisiana Blues Hall of Fame in 2002. The BBC honoured him as its Bluesman of the Year, and he was honoured as Blues Songwriter of the Year three times. Garner was twice named Bluesman of the Year Award by Real Blues Magazine.
Perhaps the most talented blues songwriter alive today, Garner is one of the top five bluesmen in the business.
Garner’s melodic lead guitar chops are akin to B.B. King’s and are relatively free from rock influences. His extremely musical and imminently listenable blues should bring the name Larry Garner to a large audience. These are blues for today, good to the last note.
Larry Garner was comfortable in the 9-to-5 routine of commuting to his day job, and making a good salary working for Dow Chemical. On his drive home one night, he was forced to take an alternate route. “There was an accident on the interstate, and I took a detour to avoid it,” remembers Garner. “I drove by this place that had a sign outside on wheels, with a couple lights that said, ‘Blues Jam Tonight.’ I went in, and they said to be back at 10 that night. I went home and told my wife about it. She said, ‘You know you’ve got to go to work tomorrow.’ I went anyway, played, and got home at 2:30 in the morning. That was Tabby’s Blues Box.”
The scene at the legendary Baton Rouge blues hotbed was a marked contrast to the occasional weekend gigs Garner was playing at the time. It was the early 1970s, and Garner had just returned from a three year tour in the army. “There were no gigs,” he remembers. “It was all disco. There were occasionally American Legion gigs or weddings or rent parties. I played in my garage. I took a job with Dow Chemical, and I rarely played in public.”
Garner started moonlighting for the first few years he played out at Tabby’s Blues Box. He met such Baton Rouge bluesmen as Silas Hogan, Whispering Smith, Arthur Kelly and Raful Neal. He occasionally played in New Orleans at Rhythms on Bourbon Street, or with Bryan Lee at the late, lamented Old Absinthe Bar. But eventually he couldn’t keep burning the candle at both ends. He recalls hanging out at Tabby’s one night with Kenny Neal, who’d just finished touring. When Neal pleaded with him to stick around for another drink instead of getting ready for work in the morning, Garner tried to explain. “He said, ‘You got to quit that job.’ I said, ‘I know, but I still got to go to work in the morning.’ I left, but Kenny saying that stuck in my head. I had to quit.”
It was a chance for Garner to play the music he’d loved since his early childhood. Growing up near Baton Rouge in the small town of Oaknolia, Garner heard the music coming from the church near his house. “There were traveling preachers coming through, and I heard that when I went to church with my grandmother. I listened to WLAC in Nashville on Friday and Saturday night,” he said. “I started playing guitar because I had an uncle, George, who taught me. He was a paraplegic, and he played like Jimmy Reed. I learned through him, and started playing at the church and behind a gospel group that played on the radio.”

“My parents didn’t want me playing the blues,” Garner continues. “They thought it was the devil’s music — then I guess the juke joint a quarter-mile down the road was the devil’s recruitment office. I never went into the juke except during the day, when it was a store.”
In his teen years, Garner was influenced by such groups as the James Gang, Rare Earth, Grand Funk Railroad, Santana and Jimi Hendrix.
Garner continued playing music during his military service, and playing in army bands — while stationed in Korea — steeled him for the life of a full-time musician. Leaving Dow Chemical was initially tough for him, but now he has a devoted following throughout the country and across the Atlantic Ocean. “I’m on tour all the time,” he says. “I go to Europe and England a few times a year. Over there they really like my original stuff. They hear guys playing the blues, but when I come in, they come right up and say, ‘Thank God — a real blues band.’ We take it for granted here. They’re really appreciative there, and so am I.”
Garner’s talent for songwriting comes from his keen observation of daily life. “I pick up on situations. Any oddity or bits of conversation. My mind picks it up and it becomes a good line for a song or an album title. It’s poetry in motion,” he said. He has written material with the late T-Bone Singleton, Larry McRae and Carl Weathersby.
Larry Garner’s show is the last in Zapp Productions’ 2011 blues series at the Regent Theatre. Tickets are $32 in advance or $35 at the door. For more information contact the Regent Theatre box office at 613-476-8416 ext. 28.

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